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  <title>Let&apos;s give this a try</title>
  <link>http://percysowner.livejournal.com/</link>
  <description>Let&apos;s give this a try - LiveJournal.com</description>
  <lastBuildDate>Fri, 02 Oct 2009 23:37:51 GMT</lastBuildDate>
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  <lj:journalid>1486994</lj:journalid>
  <lj:journaltype>personal</lj:journaltype>
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    <title>Let&apos;s give this a try</title>
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  <guid isPermaLink='true'>http://percysowner.livejournal.com/4528.html</guid>
  <pubDate>Fri, 02 Oct 2009 23:37:51 GMT</pubDate>
  <title>Supernatural Yay!</title>
  <link>http://percysowner.livejournal.com/4528.html</link>
  <description>According to SpoilerTV &lt;a name=&quot;cutid1&quot;&gt;&lt;/a&gt;Episode 10 will be called Abandon all hope and the casting call is &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;[CROWLY] 40&apos;s or 50&apos;s male Demon - he is bit more urbane and sophisticated than what we&apos;ve seen up to this point. He wears a suit, drinks fine wines, still pretty cruel and decadent, though. Please submit all ethnicities. RECURRING GUEST STAR&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;YES!!  This is pure joy for me.</description>
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  <guid isPermaLink='true'>http://percysowner.livejournal.com/4236.html</guid>
  <pubDate>Tue, 11 Aug 2009 16:44:40 GMT</pubDate>
  <title>Writer&apos;s Block: Memo to Myself</title>
  <link>http://percysowner.livejournal.com/4236.html</link>
  <description>&lt;div class=&apos;appwidget appwidget-qotd&apos; id=&apos;LJWidget_27&apos;&gt;
&lt;table cellpadding=&quot;0&quot; cellspacing=&quot;0&quot;&gt;&lt;tr&gt;&lt;td&gt;&lt;div style=&apos;border: 1px solid #000; padding: 6px;&apos;&gt;&lt;p&gt;If you could travel back in time, what advice would you give to your younger self?&lt;/p&gt;&lt;p style=&apos;font-size: 0.8em;&apos;&gt;&lt;/p&gt;&lt;br /&gt;&lt;p&gt;&lt;input type=&quot;button&quot; value=&quot;Answer&quot; onclick=&quot;document.location.href=&apos;http://www.livejournal.com/update.bml?qotd=1014&apos;&quot; /&gt; &lt;a href=&quot;http://www.livejournal.com/misc/latestqotd.bml?qid=1014&quot;&gt;View 548 Answers&lt;/a&gt;&lt;/p&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;!-- end .appwidget-qotd --&gt;
Get your library degree immediately after graduating college.&amp;nbsp; Yes, even though you went for 5 years working full time and going nights.&amp;nbsp; Just get it over with, then you will be on your way to a better job much earlier in your life&lt;br /&gt;</description>
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  <category>writer&apos;s block</category>
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  <guid isPermaLink='true'>http://percysowner.livejournal.com/3996.html</guid>
  <pubDate>Sat, 25 Apr 2009 17:23:58 GMT</pubDate>
  <title>Writer&apos;s Block: LiveJournal Book Club</title>
  <link>http://percysowner.livejournal.com/3996.html</link>
  <description>&lt;div class=&apos;appwidget appwidget-qotd&apos; id=&apos;LJWidget_28&apos;&gt;
&lt;table cellpadding=&quot;0&quot; cellspacing=&quot;0&quot;&gt;&lt;tr&gt;&lt;td&gt;&lt;div style=&apos;border: 1px solid #000; padding: 6px;&apos;&gt;&lt;p&gt;Out of all of your favorite books, pick just one you&apos;d recommend everyone read.  As a bonus: why did you pick that one?&lt;/p&gt;&lt;p style=&apos;font-size: 0.8em;&apos;&gt;&lt;/p&gt;&lt;br /&gt;&lt;p&gt;&lt;input type=&quot;button&quot; value=&quot;Answer&quot; onclick=&quot;document.location.href=&apos;http://www.livejournal.com/update.bml?qotd=873&apos;&quot; /&gt; &lt;a href=&quot;http://www.livejournal.com/misc/latestqotd.bml?qid=873&quot;&gt;View 504 Answers&lt;/a&gt;&lt;/p&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;!-- end .appwidget-qotd --&gt;
Good Omens.&amp;nbsp; It&apos;s smart and funny and really presents a complex look and good and evil, angels and demons and free will vs. destiny.&amp;nbsp; This is a great book that I have reread so many times&lt;br /&gt;</description>
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  <category>writer&apos;s block</category>
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  <guid isPermaLink='true'>http://percysowner.livejournal.com/3789.html</guid>
  <pubDate>Tue, 14 Apr 2009 00:07:22 GMT</pubDate>
  <title>AmazonFail</title>
  <link>http://percysowner.livejournal.com/3789.html</link>
  <description>I just got this email from Amazon.&lt;br /&gt;&lt;br /&gt;&lt;em&gt;Hello,&lt;br /&gt;&lt;br /&gt;Thank you for contacting Amazon.com.&lt;br /&gt;&lt;br /&gt;This is an embarrassing and ham-fisted cataloging error for a company that prides itself on offering complete selection.&lt;br /&gt;&lt;br /&gt;It has been misreported that the issue was limited to Gay &amp;amp; Lesbian themed titles - in fact, it impacted 57,310 books in a number of broad categories such as Health, Mind &amp;amp; Body, Reproductive &amp;amp; Sexual Medicine, and Erotica. This problem impacted books not just in the United States but globally. It affected not just sales rank but also had the effect of removing the books from Amazon&apos;s main product search. &lt;br /&gt;&lt;br /&gt;Many books have now been fixed and we&apos;re in the process of fixing the remainder as quickly as possible, and we intend to implement new measures to make this kind of accident less likely to occur in the future.&lt;br /&gt;&lt;br /&gt;Thanks for contacting us. We hope to see you again soon.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Sincerely,&lt;br /&gt;&lt;br /&gt;Customer Service Department&lt;br /&gt;Amazon.com&lt;br /&gt;&lt;br /&gt;Note: this e-mail was sent from a notification-only address that cannot accept incoming e-mail. Please do not reply to this message.&lt;br /&gt;&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;I guess they have finally settled on a PR strategy.&lt;br /&gt;&lt;br /&gt;</description>
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  <guid isPermaLink='true'>http://percysowner.livejournal.com/3446.html</guid>
  <pubDate>Thu, 19 Feb 2009 02:54:29 GMT</pubDate>
  <title>Tell me about yourself</title>
  <link>http://percysowner.livejournal.com/3446.html</link>
  <description>Tell me about yourself by filling in the poll &lt;a name=&quot;cutid1&quot;&gt;&lt;/a&gt;&lt;br /&gt;1. Can you cook?&lt;br /&gt;2. What was your dream growing up?&lt;br /&gt;3. What talent do you wish you had?&lt;br /&gt;4. Favorite place?&lt;br /&gt;5. Favorite vegetable?&lt;br /&gt;6. What was the last book you read?&lt;br /&gt;7. What zodiac sign are you ?&lt;br /&gt;8. Any Tattoos and/or Piercings?&lt;br /&gt;9. Worst Habit?&lt;br /&gt;10. Do we know each other outside of lj?&lt;br /&gt;11. What is your favorite sport?&lt;br /&gt;12. Negative or Optimistic attitude?&lt;br /&gt;13. What would you do if you were stuck in an elevator with me?&lt;br /&gt;14. Worst thing to ever happen to you?&lt;br /&gt;15. Tell me one weird fact about you:&lt;br /&gt;16. Do you have any pets?&lt;br /&gt;17. Do you know how to do the macerana?&lt;br /&gt;18. What time is it where you are now?&lt;br /&gt;19. Do you think clowns are cute or scary?&lt;br /&gt;20. If you could change one thing about how you look, what would it be?&lt;br /&gt;21. Would you be my crime partner or my conscience?&lt;br /&gt;22. What color eyes do you have?&lt;br /&gt;23. Ever been arrested?&lt;br /&gt;24. Bottle or Draft?&lt;br /&gt;25. If you won $10,000 dollars today, what would you do with it?&lt;br /&gt;26. What kind of bubble gum do you prefer to chew?&lt;br /&gt;27. What &apos;s your favorite bar to hang at?&lt;br /&gt;28. Do you believe in ghosts?&lt;br /&gt;29. Favorite thing to do in your spare time?&lt;br /&gt;30. Do you swear a lot?&lt;br /&gt;31. Biggest pet peeve?&lt;br /&gt;32. In one word, how would you describe yourself?&lt;br /&gt;33. Will you repost this so I can fill it out and do the same for you? .&lt;br /&gt;&lt;br /&gt;</description>
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  <guid isPermaLink='true'>http://percysowner.livejournal.com/3132.html</guid>
  <pubDate>Tue, 11 Nov 2008 01:00:24 GMT</pubDate>
  <title>Writer&apos;s Block: Ten for the Tenth</title>
  <link>http://percysowner.livejournal.com/3132.html</link>
  <description>&lt;div class=&apos;appwidget appwidget-qotd&apos; id=&apos;LJWidget_29&apos;&gt;
&lt;table cellpadding=&quot;0&quot; cellspacing=&quot;0&quot;&gt;&lt;tr&gt;&lt;td&gt;&lt;div style=&apos;border: 1px solid #000; padding: 6px;&apos;&gt;&lt;p&gt;Some people spend their whole lives preparing the answer to this question: What albums are on your personal all-time Top 10 list?&lt;/p&gt;&lt;p style=&apos;font-size: 0.8em;&apos;&gt;&lt;/p&gt;&lt;br /&gt;&lt;p&gt;&lt;input type=&quot;button&quot; value=&quot;Answer&quot; onclick=&quot;document.location.href=&apos;http://www.livejournal.com/update.bml?qotd=654&apos;&quot; /&gt; &lt;a href=&quot;http://www.livejournal.com/misc/latestqotd.bml?qid=654&quot;&gt;View 501 Answers&lt;/a&gt;&lt;/p&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;!-- end .appwidget-qotd --&gt;
1) Bat out of Hell- Meatloaf&lt;br /&gt;2) Rumors - Fleetwood Mac&lt;br /&gt;3) Bridge of Troubled Water - Simon and Garfunkel&lt;br /&gt;4) Bookends - Simon and Garfunkel&lt;br /&gt;5) Sounds of Silence - Simon and Garfunkel (yes, there is a theme)&lt;br /&gt;6) Dark Side of the Moon - Pink Floyd&lt;br /&gt;7) Mason Williams Earshow - Mason Williams&lt;br /&gt;9) Mask and the Mirror - Loreena McKennitt&lt;br /&gt;10) Little Earthquakes- Tori Amos&lt;br /&gt;&lt;br /&gt;</description>
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  <category>top 10</category>
  <category>writer&apos;s block</category>
  <category>music</category>
  <lj:security>public</lj:security>
  <lj:reply-count>2</lj:reply-count>
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  <guid isPermaLink='true'>http://percysowner.livejournal.com/3056.html</guid>
  <pubDate>Thu, 02 Oct 2008 01:54:58 GMT</pubDate>
  <link>http://percysowner.livejournal.com/3056.html</link>
  <description>&lt;em&gt;As was demonstrated in an interview with Katie Couric, Sarah Palin is unable to name any Supreme Court Case other than Roe v. Wade.&lt;br /&gt;&lt;br /&gt;The Rules: Post info about ONE Supreme Court decision, modern or historic, to your lj. (Any decision, as long as it&apos;s not Roe v. Wade.) For those who see this on your f-list, take the meme to your OWN lj to spread the fun.&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;I&apos;m actually doing two.&amp;nbsp; Technically Sarah Palin had to name one decision that she disagreed with.&amp;nbsp; Using that criteria, I choose &lt;strong&gt;&lt;i&gt;Plessy v. Ferguson&lt;/i&gt;&lt;/strong&gt;.&amp;nbsp; This was the case that institutionalized segregation by upholding the Jim Crow laws that were enacted after the Civil War.&amp;nbsp; This contributed to the continuing racial divide in our country.&lt;br /&gt;&lt;br /&gt;OTOH, I completely support&lt;strong&gt; &lt;em&gt;Griswold v&lt;/em&gt;. &lt;em&gt;Connecticut&lt;/em&gt;&lt;/strong&gt; which established the right to reproductive privacy.&amp;nbsp; Griswold overturned the Connecticut law that prohibited the sale of contraceptives to anybody even married people.Although Griswold only reversed the law for married couples, it laid down the right of privacy and lead to&lt;strong&gt;&lt;i&gt;&lt;a title=&quot;Eisenstadt v. Baird&quot; href=&quot;http://en.wikipedia.org/wiki/Eisenstadt_v._Baird&quot;&gt;&lt;/a&gt;&lt;/i&gt;&lt;/strong&gt; &lt;i&gt;&lt;b&gt;Eisenstadt v. Baird &lt;/b&gt;&lt;/i&gt;and eventually to &lt;strong&gt;&lt;em&gt;Roe v. Wade. &lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;</description>
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  <lj:mood>satisfied</lj:mood>
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  <guid isPermaLink='true'>http://percysowner.livejournal.com/2620.html</guid>
  <pubDate>Sat, 19 Jul 2008 12:58:33 GMT</pubDate>
  <title>Firefox 3 update warning</title>
  <link>http://percysowner.livejournal.com/2620.html</link>
  <description>Warning to anyone running FF3 AND Tab Mix Plus. Do NOT download the new update to FF3.&amp;nbsp; I use Tab Mix Plus constantly, it is one of my favorite extensions.&amp;nbsp; When I loaded FF3, TMP did not have an official update, but it did have a development version that worked with FF3.&amp;nbsp; Now FF3 has issued an update and the dev version of TMP does not work with it.&amp;nbsp; I had 43 tabs open to be read, and they are all gone, simply not recoverable as far as I can see and all my neat TMP options are gone too.&amp;nbsp; I may try to go back to the previous version, but I did want to warn anyone else who is using both FF3 and TMP to be careful.&lt;br /&gt;&lt;br /&gt;Plus, the update still did not fix my one gripe with FF3,&amp;nbsp; it still wont warn you if you are about to close multiple tabs, even if you have checked the option.</description>
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  <lj:mood>sad</lj:mood>
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  <guid isPermaLink='true'>http://percysowner.livejournal.com/2459.html</guid>
  <pubDate>Wed, 25 Jun 2008 09:10:35 GMT</pubDate>
  <title>The book meme</title>
  <link>http://percysowner.livejournal.com/2459.html</link>
  <description>The Big Read reckons that the average adult has only read 6 of the top 100 books they&apos;ve printed. Well let&apos;s see.&lt;br /&gt;&lt;br /&gt;1) Look at the list and bold those you have read.&lt;br /&gt;2) Italicise those you intend to read (as in the book is bought and sitting on my shelf).&lt;br /&gt;3) Underline the books you LOVE.&lt;br /&gt;4) * If you started but didn&apos;t finish&lt;br /&gt;&lt;b&gt;&lt;br /&gt;1. Pride and Prejudice - Jane Austen&lt;/b&gt;&lt;br /&gt;&lt;b&gt;2. The Lord of the Rings - JRR Tolkien&lt;/b&gt;&lt;br /&gt;&lt;b&gt;3. Jane Eyre - Charlotte Bronte&lt;br /&gt;4. Harry Potter series - JK Rowling * only through book 5&lt;br /&gt;5. To Kill a Mockingbird - Harper Lee&lt;br /&gt;6. The Bible *&lt;br /&gt;7. Wuthering Heights - Emily Bronte&lt;br /&gt;8. Nineteen Eighty Four - George Orwell&lt;/b&gt; &lt;br /&gt;&lt;b&gt;&lt;u&gt;9. His Dark Materials - Philip Pullman&lt;/u&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;10. Great Expectations - Charles Dickens&lt;/b&gt;&lt;br /&gt;&lt;u&gt;&lt;b&gt;11. Little Women - Louisa M Alcott&lt;/b&gt;&lt;/u&gt;&lt;br /&gt;&lt;b&gt;12. Tess of the D&apos;Urbervilles - Thomas Hardy&lt;/b&gt; &lt;br /&gt;&lt;b&gt;13. Catch 22 - Joseph Heller &lt;/b&gt;&lt;br /&gt;&lt;b&gt;14. Complete Works of Shakespeare&lt;/b&gt; * (I&apos;ve read some, but certainly not all.)&lt;br /&gt;&lt;b&gt;15. Rebecca - Daphne Du Maurie&lt;/b&gt;r&lt;br /&gt;&lt;b&gt;16. The Hobbit - JRR Tolkien&lt;/b&gt;&lt;br /&gt;17. Birdsong - Sebastian Faulks&lt;br /&gt;&lt;b&gt;18. Catcher in the Rye - JD Salinger&lt;/b&gt;&lt;br /&gt;19. The Time Traveller&apos;s Wife - Audrey Niffenegger&lt;br /&gt;20. Middlemarch - George Eliot&lt;br /&gt;&lt;b&gt;21. Gone With The Wind - Margaret Mitchell&lt;/b&gt;&lt;br /&gt;&lt;b&gt;22. The Great Gatsby - F Scott Fitzgerald&lt;/b&gt;&lt;br /&gt;23. Bleak House - Charles Dickens&lt;br /&gt;&lt;b&gt;24. War and Peace - Leo Tolstoy &lt;/b&gt;&lt;br /&gt;&lt;b&gt;25. The Hitch Hiker&apos;s Guide to the Galaxy - Douglas Adams&lt;/b&gt;&lt;br /&gt;26. Brideshead Revisited - Evelyn Waugh &lt;br /&gt;&lt;b&gt;27. Crime and Punishment - Fyodor Dostoyevsky&lt;/b&gt;&lt;br /&gt;28. Grapes of Wrath - John Steinbec&lt;b&gt;k&lt;br /&gt;&lt;u&gt;29. Alice in Wonderland - Lewis Carroll&lt;/u&gt;&lt;/b&gt; &lt;br /&gt;&lt;b&gt;&lt;u&gt;30. The Wind in the Willows - Kenneth Grahame&lt;/u&gt;&lt;/b&gt;&lt;br /&gt;31. Anna Karenina - Leo Tolstoy&lt;br /&gt;&lt;b&gt;32. David Copperfield - Charles Dickens &lt;br /&gt;33. Chronicles of Narnia - CS Lewis&lt;/b&gt; &lt;br /&gt;&lt;i&gt;3&lt;/i&gt;4. Emma - Jane Austen&lt;br /&gt;35. Persuasion - Jane Austen&lt;br /&gt;36. The Kite Runner - Khaled Hosseini &lt;br /&gt;37. Captain Corelli&apos;s Mandolin - Louis De Bernieres&lt;br /&gt;38. Memoirs of a Geisha - Arthur Golden&lt;br /&gt;&lt;b&gt;39. Winnie the Pooh - AA Milne&lt;br /&gt;40. Animal Farm - George Orwell&lt;/b&gt;&lt;br /&gt;41. The Da Vinci Code - Dan Brown&lt;br /&gt;42. One Hundred Years of Solitude - Gabriel Garcia Marquez&lt;br /&gt;43. A Prayer for Owen Meaney - John Irving&lt;br /&gt;&lt;b&gt;44. The Woman in White - Wilkie Collins&lt;/b&gt;&lt;br /&gt;&lt;u&gt;&lt;b&gt;45. Anne of Green Gables - LM Montgomer&lt;/b&gt;y&lt;/u&gt;&lt;br /&gt;46. Far From The Madding Crowd - Thomas Hardy&lt;br /&gt;47. The Handmaid&apos;s Tale - Margaret Atwood&lt;br /&gt;&lt;b&gt;48. Lord of the Flies - William Golding&lt;/b&gt;&lt;br /&gt;49. Atonement - Ian McEwan&lt;br /&gt;50. Life of Pi - Yann Martel&lt;br /&gt;&lt;b&gt;51. Dune - Frank Herbert&lt;/b&gt; &lt;br /&gt;52. Cold Comfort Farm - Stella Gibbons &lt;br /&gt;53. Sense and Sensibility - Jane Austen&lt;br /&gt;54. A Suitable Boy - Vikram Seth &lt;br /&gt;55. The Shadow of the Wind - Carlos Ruiz Zafon&lt;br /&gt;&lt;b&gt;56. A Tale Of Two Cities - Charles Dickens &lt;br /&gt;57. Brave New World - Aldous Huxley&lt;/b&gt;&lt;br /&gt;58. The Curious Incident of the Dog in the Night-time - Mark Haddon&lt;br /&gt;59. Love In The Time Of Cholera - Gabriel Garcia Marquez&lt;br /&gt;&lt;b&gt;60. Of Mice and Men - John Steinbeck&lt;/b&gt;&lt;br /&gt;61. Lolita - Vladimir Nabokov&lt;br /&gt;62. The Secret History - Donna Tartt&lt;br /&gt;63. The Lovely Bones - Alice Sebold&lt;br /&gt;&lt;u&gt;&lt;b&gt;64. Count of Monte Cristo - Alexandre Dumas&lt;/b&gt;&lt;/u&gt;&lt;br /&gt;65. On The Road - Jack Kerouac&lt;br /&gt;66. Jude the Obscure - Thomas Hardy&lt;br /&gt;&lt;b&gt;67. Bridget Jones&apos; Diary - Helen Fielding&lt;/b&gt;&lt;br /&gt;68. Midnight&apos;s Children - Salman Rushdie&lt;br /&gt;69. Moby Dick - Herman Melville&lt;br /&gt;&lt;b&gt;70. Oliver Twist - Charles Dickens&lt;br /&gt;71. Dracula - Bram Stoker&lt;/b&gt;&lt;br /&gt;&lt;b&gt;72.The Secret Garden - Frances Hodgson Burnett&lt;/b&gt;&lt;br /&gt;73. Notes From A Small Island - Bill Bryson&lt;br /&gt;74. Ulysses - James Joyce&lt;br /&gt;75. The Bell Jar - Sylvia Plath&lt;br /&gt;76. Swallows and Amazons - Arthur Ransome&lt;br /&gt;77. Germinal - Emile Zola&lt;br /&gt;78. Vanity Fair - William Makepeace Thackeray&lt;br /&gt;79. Possession - AS Byatt&lt;br /&gt;&lt;b&gt;80. A Christmas Carol - Charles Dickens&lt;/b&gt;&lt;br /&gt;81. Cloud Atlas - David Mitchell&lt;br /&gt;82. The Color Purple - Alice Walker&lt;br /&gt;83. The Remains of the Day - Kazuo Ishiguro&lt;br /&gt;&lt;b&gt;84. Madame Bovary - Gustave Flaubert&lt;/b&gt;&lt;br /&gt;85. A Fine Balance - Rohinton Mistry&lt;br /&gt;&lt;u&gt;&lt;b&gt;86. Charlotte&apos;s Web - EB White&lt;/b&gt;&lt;/u&gt;&lt;br /&gt;87. The Five People You Meet In Heaven - Mitch Albom&lt;b&gt;&lt;br /&gt;88. Adventures of Sherlock Holmes - Sir Arthur Conan Doyle&lt;/b&gt;&lt;br /&gt;89. The Faraway Tree Collection - Enid Blyton&lt;br /&gt;90. Heart of Darkness - Joseph Conrad&lt;br /&gt;&lt;u&gt;&lt;b&gt;91. The Little Prince - Antoine De Saint-Exupery&lt;/b&gt;&lt;/u&gt; in the original French for class in high school&lt;br /&gt;92. The Wasp Factory - Iain Banks&lt;br /&gt;&lt;b&gt;93. Watership Down - Richard Adams&lt;/b&gt;&lt;br /&gt;94. A Confederacy of Dunces - John Kennedy Toole&lt;br /&gt;95. A Town Like Alice - Nevil Shute&lt;br /&gt;&lt;u&gt;&lt;b&gt;96. The Three Musketeers - Alexandre Dumas&lt;/b&gt;&lt;/u&gt;&lt;br /&gt;&lt;b&gt;97. Charlie and the Chocolate Factory - Roald Dahl&lt;/b&gt;&lt;br /&gt;98. Les Miserables - Victor Hugo</description>
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  <guid isPermaLink='true'>http://percysowner.livejournal.com/2220.html</guid>
  <pubDate>Sun, 18 May 2008 16:27:33 GMT</pubDate>
  <title>Thinky thoughts Supernatural</title>
  <link>http://percysowner.livejournal.com/2220.html</link>
  <description>My thought on the effects of the writers strike on the episode &lt;a name=&quot;cutid1&quot;&gt;&lt;/a&gt;&lt;div class=&quot;ljcut&quot; text=&quot;here&quot;&gt; &lt;p style=&quot;margin-bottom: 0in;&quot;&gt;&lt;font face=&quot;Arial, sans-serif&quot;&gt;&lt;font size=&quot;2&quot;&gt;I&apos;ve been giving a lot of thought as to how Dean will be saved from Hell (I am assuming he will be saved eventually otherwise, I think the fans will desert in hoards).  What strikes me is the effects of the strike on the show.  Kripke said that the strike forced them to drop all the storylines except for Dean&apos;s deal so I think we have to look at what they decided to present as thier last three episodes to get an idea of how Sam can get Dean out.  What did each of the four final episodes present that could be used to resolve the situation?&lt;/font&gt;&lt;/font&gt;&lt;/p&gt; &lt;p style=&quot;margin-bottom: 0in;&quot;&gt;&lt;br /&gt; &lt;/p&gt; &lt;p style=&quot;margin-bottom: 0in;&quot;&gt;&lt;br /&gt; &lt;/p&gt; &lt;p style=&quot;margin-bottom: 0in;&quot;&gt;&lt;font face=&quot;Arial, sans-serif&quot;&gt;&lt;font size=&quot;2&quot;&gt;No Rest for the Wicked is obvious.  It culminates the deal and has Dean rejecting Sam using any powers to save him.  It was a straightforward episode.  It is implied that Sam can save Dean using his powers, but that does not happen. &lt;/font&gt;&lt;/font&gt; &lt;/p&gt; &lt;p style=&quot;margin-bottom: 0in;&quot;&gt;&lt;br /&gt; &lt;/p&gt; &lt;p style=&quot;margin-bottom: 0in;&quot;&gt;&lt;font face=&quot;Arial, sans-serif&quot;&gt;&lt;font size=&quot;2&quot;&gt;Ghostfacers is probably an outlier.  I was 90% completed before the strike and simply was an easy episode to get up and running.  It may have nothing to do with the deal per se, but it did reinforce one part of the mythology that we have seen before, the fact that ghosts can take out other ghosts simply by their own actions.  This was shown in the Pilot, in Home, in Red Sky at Morning, and here.  I&apos;m not sure that this will play into the deal, but it is an established part of the mythology arc and I think that it will be important somewhere down the road.&lt;/font&gt;&lt;/font&gt;&lt;/p&gt; &lt;p style=&quot;margin-bottom: 0in;&quot;&gt;&lt;br /&gt; &lt;/p&gt; &lt;p style=&quot;margin-bottom: 0in;&quot;&gt;&lt;font face=&quot;Arial, sans-serif&quot;&gt;&lt;font size=&quot;2&quot;&gt;Long Distance Call is next up and I had a hard time finding much that could be used in regards to rescuing Dean. The MOTW actually did provide and escape clause of sorts, if the MOTW ate Dean&apos;s soul I don&apos;t think it would have been available to go to Hell. It just would have been dead, but the writers didn&apos;t really state this and it probably didn&apos;t relate to the deal as such.  This episode mainly showed Dean&apos;s desparation and belief in John and Sam&apos;s total lack of belief in John.  So was this just a character episode that didn&apos;t give them much on the deal?  Then I remember the cute part. The tour of Edison&apos;s museum and the spirit phone.  Thee was the tour guide talking about the spirit phone that could reach &quot;the dead&quot;.  So maybe this wasn&apos;t quite the throw away it looked like, maybe it was the whole point of the episode.  Maybe it is a way for Sam to contact Dean while he is in Hell and will help in locating and rescuing Dean.&lt;/font&gt;&lt;/font&gt;&lt;/p&gt; &lt;p style=&quot;margin-bottom: 0in;&quot;&gt;&lt;br /&gt; &lt;/p&gt; &lt;p style=&quot;margin-bottom: 0in;&quot;&gt;&lt;font face=&quot;Arial, sans-serif&quot;&gt;&lt;font size=&quot;2&quot;&gt;Then comes Time is on Our Side.  This wraps up a lot of this season.  We get the story on Bela (and it play into the mythology in some intersting ways, that I inted to save for another post). It fingers Lilith as the demon holding the contract.  Both play somewhat into Dean&apos;s deal.  But what about Doc Benton?  Why this MOTW.  Yes, it partly shows that Sam is willing to consider increasingly greay options and that Dean is rejecting them.  But it also establishes that there are scientific options to be explored, something I don&apos;t think either boy had thought about during this year.  Sam made it quite clear that Benton&apos;s immortality was not black magic, required no human sacrifice and the original process was not outside the moral of Sam and Dean.  To keep it going forever required selling their souls, but the original formula did not.  Then there is how science works.  Theories, formulas, etc. do not spring up fully formed.  There is experimentation and tweaking to get what you want.  Doc Benton was seeking absolute immortality, but along the way he would have had to have found methods that repaired bodies, but did not allow immortality, so they were rejected by the doctor as failures.  For example one formula healed the body, but if it was dead there was no way to animate it, so by Benton&apos;s scale it was a failure.  Another formula brings the body back and allows sentience to return, but the revived body is still killable and/or can die by natural means, failure by Benton&apos;s criteria.  The thing is all these intermediate steps would serve Sam in getting Dean back.  He doesn&apos;t have to use Benton&apos;s final formula, just whatever will repair and preserve Dean&apos;s body long enough to get Dean&apos;s soul out of Hell and find a way to insert it back in a normal mortal body.  The act that the journal still exists is supportive of this I think.&lt;/font&gt;&lt;/font&gt;&lt;/p&gt; &lt;p style=&quot;margin-bottom: 0in;&quot;&gt;&lt;br /&gt; &lt;/p&gt; &lt;p style=&quot;margin-bottom: 0in;&quot;&gt;&lt;font face=&quot;Arial, sans-serif&quot;&gt;&lt;font size=&quot;2&quot;&gt;For the record, every year I come up with theories as to how things will be resolved and I am NEVER right. But I do think that considering the fact that the writers only had four episodes to leave all the clues to how to resolve this, that the choice of MOTW and B stories have to somehow play into the final resolution of saving Dean.&lt;/font&gt;&lt;/font&gt;&lt;/p&gt; &lt;p style=&quot;margin-bottom: 0in;&quot;&gt;&lt;br /&gt; &lt;/p&gt; &lt;p style=&quot;margin-bottom: 0in;&quot;&gt;&lt;br /&gt; &lt;/p&gt; &lt;/div&gt;</description>
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  <category>supernatural</category>
  <lj:security>public</lj:security>
  <lj:reply-count>21</lj:reply-count>
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<item>
  <guid isPermaLink='true'>http://percysowner.livejournal.com/1570.html</guid>
  <pubDate>Fri, 30 Nov 2007 00:10:07 GMT</pubDate>
  <title>Is Bela on Supernatural a sociopath?</title>
  <link>http://percysowner.livejournal.com/1570.html</link>
  <description>&lt;h3 style=&quot;font-weight: normal;&quot;&gt;Yes, I am shocking everybody (including myself) by actually posting something in my live journal.&amp;nbsp; I was thinking about the character of Bela on &lt;span style=&quot;font-weight: bold;&quot;&gt;Supernatural&lt;/span&gt; and then i ran into a description of what constitutes being a sociopath.&amp;nbsp; Since I have considered her to be sociopathic since she was introduced, I decided to compare what I see as her behavior, with the description.&lt;br /&gt;&lt;/h3&gt;&lt;h3&gt;&lt;br /&gt;&lt;/h3&gt;&lt;h3&gt;&lt;font face=&quot;Arial, sans-serif&quot;&gt;&lt;font size=&quot;3&quot;&gt;&lt;br /&gt;&lt;/font&gt;&lt;/font&gt;&lt;/h3&gt; &lt;font face=&quot;Arial, sans-serif&quot;&gt;&lt;font size=&quot;3&quot;&gt;&lt;/font&gt;&lt;/font&gt;&lt;a name=&quot;cutid1&quot;&gt;&lt;/a&gt;&lt;div class=&quot;ljcut&quot; text=&quot;Profile of the Sociopath compared to  Bela&apos;s personality as shown&quot;&gt;&lt;font face=&quot;Arial, sans-serif&quot;&gt;&lt;font face=&quot;Arial, sans-serif&quot;&gt;&lt;font size=&quot;3&quot;&gt;Some of the common features of descriptions of the behavior of sociopaths. I will say if I think Bela has shown them.&lt;/font&gt;&lt;/font&gt;&lt;br /&gt; &lt;/font&gt;&lt;ul&gt;&lt;font face=&quot;Arial, sans-serif&quot;&gt;&lt;li&gt;&lt;font face=&quot;Arial, sans-serif&quot;&gt;&lt;font size=&quot;3&quot;&gt;Glibness and 	Superficial Charm -&lt;i style=&quot;color: rgb(0, 0, 255);&quot;&gt;Yes a strong part of her personality&lt;/i&gt;&lt;/font&gt;&lt;/font&gt;&lt;br /&gt; 	&lt;/li&gt;&lt;li&gt;&lt;font face=&quot;Arial, sans-serif&quot;&gt;&lt;font size=&quot;3&quot;&gt;Manipulative and 	Conning &lt;i style=&quot;color: rgb(0, 0, 255);&quot;&gt;That&apos;s what she does for a living, as she admits in Red 	Sky at Morning&lt;/i&gt;&lt;/font&gt;&lt;/font&gt;&lt;br /&gt; 	&lt;p&gt;&lt;font face=&quot;Arial, sans-serif&quot;&gt;&lt;font size=&quot;3&quot;&gt;&lt;br /&gt;They never 	recognize the rights of others and see their self-serving behaviors 	as permissible. They appear to be charming, yet are covertly hostile 	and domineering, seeing their victim as merely an instrument to be 	used. They may dominate and humiliate their victims.  &lt;i style=&quot;color: rgb(0, 0, 255);&quot;&gt;Bela fits 	this perfectly.  She shows no compassion for the victims of her 	schemes, she calls hunters (and by implication)Sam and Dean 	sociopathic vengeance driven people.&lt;/i&gt;&lt;/font&gt;&lt;/font&gt;&lt;/p&gt; 	&lt;/li&gt;&lt;li&gt;&lt;p&gt;&lt;font face=&quot;Arial, sans-serif&quot;&gt;&lt;font size=&quot;3&quot;&gt;Grandiose Sense 	of Self &lt;br /&gt;Feels entitled to certain things as &quot;their right.&quot; 	&lt;i style=&quot;color: rgb(0, 0, 255);&quot;&gt;That&apos;s Bela on the nose, she has a right to money other people 	are disposable&lt;/i&gt;&lt;/font&gt;&lt;/font&gt;&lt;/p&gt; 	&lt;/li&gt;&lt;li&gt;&lt;p&gt;&lt;font face=&quot;Arial, sans-serif&quot;&gt;&lt;font size=&quot;3&quot;&gt;Pathological 	Lying  &lt;br /&gt;Has no problem lying coolly and easily and it is almost 	impossible for them to be truthful on a consistent basis. Can 	create, and get caught up in, a complex belief about their own 	powers and abilities. Extremely convincing and even able to pass lie 	detector tests. &lt;i style=&quot;color: rgb(0, 0, 255);&quot;&gt;In every episode Bela has lied always to promote 	her own advantage&lt;/i&gt;&lt;/font&gt;&lt;/font&gt;&lt;/p&gt; 	&lt;/li&gt;&lt;li&gt;&lt;p&gt;&lt;font face=&quot;Arial, sans-serif&quot;&gt;&lt;font size=&quot;3&quot;&gt;Lack of Remorse, 	Shame or Guilt  &lt;i style=&quot;color: rgb(0, 0, 255);&quot;&gt;That&apos;s Bela again, she has never shown any of 	those emotions, even when her actions have resulted in a person&apos;s 	death.&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;A deep seated rage, which is split off and repressed, 	is at their core. Does not see others around them as people, but 	only as targets and opportunities. Instead of friends, they have 	victims and accomplices who end up as victims. The end always 	justifies the means and they let nothing stand in their way. &lt;i style=&quot;color: rgb(0, 0, 255);&quot;&gt;Yep, 	she never even warned her accomplices in Bad Day at Black Rock that 	the rabbit&apos;s foot was dangerous.&lt;/i&gt;&lt;/font&gt;&lt;/font&gt;&lt;/p&gt;&lt;/li&gt;&lt;li&gt;&lt;p&gt;&lt;font face=&quot;Arial, sans-serif&quot;&gt;&lt;font size=&quot;3&quot;&gt;Shallow Emotions 	&lt;br /&gt;When they show what seems to be warmth, joy, love and compassion 	it is more feigned than experienced and serves an ulterior motive. 	Outraged by insignificant matters, yet remaining unmoved and cold by 	what would upset a normal person. Since they are not genuine, 	neither are their promises. &lt;i style=&quot;color: rgb(0, 0, 255);&quot;&gt;Not sure yet&lt;br /&gt;&lt;/i&gt;&lt;/font&gt;&lt;/font&gt;&lt;/p&gt; 	&lt;/li&gt;&lt;li&gt;&lt;font face=&quot;Arial, sans-serif&quot;&gt;&lt;font size=&quot;3&quot;&gt;Incapacity for 	Love &lt;i style=&quot;color: rgb(0, 0, 255);&quot;&gt;We haven&apos;t seen her enough to know.&lt;/i&gt;&lt;/font&gt;&lt;/font&gt;&lt;br /&gt; 	&lt;/li&gt;&lt;li&gt;&lt;p&gt;&lt;font face=&quot;Arial, sans-serif&quot;&gt;&lt;font size=&quot;3&quot;&gt;Need for 	Stimulation &lt;br /&gt;Living on the edge. Verbal outbursts and physical 	punishments are normal. Promiscuity and gambling are common. &lt;i style=&quot;color: rgb(0, 0, 255);&quot;&gt;Not 	that we&apos;ve seen so far.&lt;/i&gt;&lt;/font&gt;&lt;/font&gt;&lt;/p&gt; 	&lt;/li&gt;&lt;li&gt;&lt;p&gt;&lt;font face=&quot;Arial, sans-serif&quot;&gt;&lt;font size=&quot;3&quot;&gt;Callousness/Lack 	of Empathy &lt;br /&gt;Unable to empathize with the pain of their victims, 	having only contempt for others&apos; feelings of distress and readily 	taking advantage of them. &lt;i style=&quot;color: rgb(0, 0, 255);&quot;&gt;That&apos;s definitely Bela&lt;/i&gt;&lt;/font&gt;&lt;/font&gt;&lt;/p&gt; 	&lt;/li&gt;&lt;li&gt;&lt;p&gt;&lt;font face=&quot;Arial, sans-serif&quot;&gt;&lt;font size=&quot;3&quot;&gt;Poor Behavioral 	Controls/Impulsive Nature &lt;br /&gt;Rage and abuse, alternating with small 	expressions of love and approval produce an addictive cycle for 	abuser and abused, as well as creating hopelessness in the victim. 	Believe they are all-powerful, all-knowing, entitled to every wish, 	no sense of personal boundaries, no concern for their impact on 	others. &lt;i style=&quot;color: rgb(0, 0, 255);&quot;&gt;Not that we have seen so far.&lt;/i&gt;&lt;/font&gt;&lt;/font&gt;&lt;/p&gt; 	&lt;/li&gt;&lt;li&gt;&lt;p&gt;&lt;font face=&quot;Arial, sans-serif&quot;&gt;&lt;font size=&quot;3&quot;&gt;Early Behavior 	Problems/Juvenile Delinquency &lt;br /&gt;Usually has a history of 	behavioral and academic difficulties, yet &quot;gets by&quot; by 	conning others. Problems in making and keeping friends; aberrant 	behaviors such as cruelty to people or animals, stealing, etc. 	&lt;i style=&quot;color: rgb(0, 0, 255);&quot;&gt;Unknown&lt;/i&gt;&lt;/font&gt;&lt;/font&gt;&lt;/p&gt; 	&lt;/li&gt;&lt;li&gt;&lt;p&gt;&lt;font face=&quot;Arial, sans-serif&quot;&gt;&lt;font size=&quot;3&quot;&gt;Irresponsibility/Unreliability 	&lt;br /&gt;Not concerned about wrecking others&apos; lives and dreams. Oblivious 	or indifferent to the devastation they cause. Does not accept blame 	themselves, but blames others, even for acts they obviously 	committed. &lt;i style=&quot;color: rgb(0, 0, 255);&quot;&gt;Describes Bela&apos;s actions to a tee&lt;/i&gt;&lt;/font&gt;&lt;/font&gt;&lt;/p&gt; 	&lt;/li&gt;&lt;li&gt;&lt;p&gt;&lt;font face=&quot;Arial, sans-serif&quot;&gt;&lt;font size=&quot;3&quot;&gt;Promiscuous 	Sexual Behavior/Infidelity &lt;i style=&quot;color: rgb(0, 0, 255);&quot;&gt;Unknown&lt;/i&gt;&lt;br /&gt;Promiscuity, child 	sexual abuse, rape and sexual acting out of all sorts.&lt;span style=&quot;font-style: italic;&quot;&gt;&lt;span style=&quot;color: rgb(0, 0, 255);&quot;&gt; No indication of this&lt;/span&gt;&lt;/span&gt; &lt;/font&gt;&lt;/font&gt; 	&lt;/p&gt; 	&lt;/li&gt;&lt;li&gt;&lt;p&gt;&lt;font face=&quot;Arial, sans-serif&quot;&gt;&lt;font size=&quot;3&quot;&gt;Lack of Realistic 	Life Plan/Parasitic Lifestyle &lt;br /&gt;Tends to move around a lot or 	makes all encompassing promises for the future, poor work ethic but 	exploits others effectively. &lt;i style=&quot;color: rgb(0, 0, 255);&quot;&gt;We know she moves around a lot and that she tends to hire or trick others into doing the work of getting her talismans. We know nothing about what she promises other people.&lt;br /&gt;&lt;/i&gt;&lt;/font&gt;&lt;/font&gt;&lt;/p&gt; 	&lt;/li&gt;&lt;li&gt;&lt;p&gt;&lt;font face=&quot;Arial, sans-serif&quot;&gt;&lt;font size=&quot;3&quot;&gt;Criminal or 	Entrepreneurial Versatility &lt;br /&gt;Changes their image as needed to 	avoid prosecution. Changes life story readily. &lt;i style=&quot;color: rgb(0, 0, 255);&quot;&gt;Absolutely, 	canonically true.&lt;/i&gt;&lt;/font&gt;&lt;/font&gt;&lt;/p&gt; &lt;/li&gt;&lt;/font&gt;&lt;/ul&gt;&lt;font face=&quot;Arial, sans-serif&quot;&gt; &lt;/font&gt;&lt;hr /&gt;&lt;font face=&quot;Arial, sans-serif&quot;&gt; &lt;font face=&quot;Arial, sans-serif&quot;&gt;&lt;font size=&quot;3&quot;&gt;Other Related Qualities: &lt;/font&gt;&lt;/font&gt; &lt;br /&gt; &lt;/font&gt;&lt;ol&gt;&lt;font face=&quot;Arial, sans-serif&quot;&gt;&lt;li&gt;&lt;p style=&quot;margin-bottom: 0in;&quot;&gt;&lt;font face=&quot;Arial, sans-serif&quot;&gt;&lt;font size=&quot;3&quot;&gt;Contemptuous 	of those who seek to understand them&lt;i&gt; &lt;span style=&quot;color: rgb(0, 0, 255);&quot;&gt;Unknown, the only time it came up she said no one did understand why she killed whoever she killed could go either way&lt;br /&gt;&lt;/span&gt;&lt;/i&gt;&lt;/font&gt;&lt;/font&gt;&lt;/p&gt; 	&lt;/li&gt;&lt;li&gt;&lt;p style=&quot;margin-bottom: 0in;&quot;&gt;&lt;font face=&quot;Arial, sans-serif&quot;&gt;&lt;font size=&quot;3&quot;&gt;Does 	not perceive that anything is wrong with them &lt;i style=&quot;color: rgb(0, 0, 255);&quot;&gt;Yes&lt;/i&gt;&lt;/font&gt;&lt;/font&gt;&lt;/p&gt; 	&lt;/li&gt;&lt;li&gt;&lt;p style=&quot;margin-bottom: 0in;&quot;&gt;&lt;font face=&quot;Arial, sans-serif&quot;&gt;&lt;font size=&quot;3&quot;&gt;Authoritarian 	&lt;i style=&quot;color: rgb(0, 0, 255);&quot;&gt;Unknown&lt;/i&gt;&lt;/font&gt;&lt;/font&gt;&lt;/p&gt; 	&lt;/li&gt;&lt;li&gt;&lt;p style=&quot;margin-bottom: 0in;&quot;&gt;&lt;font face=&quot;Arial, sans-serif&quot;&gt;&lt;font size=&quot;3&quot;&gt;Secretive 	&lt;i&gt;&lt;span style=&quot;color: rgb(0, 0, 255);&quot;&gt;Yes&lt;/span&gt; &lt;/i&gt;&lt;/font&gt;&lt;/font&gt; 	&lt;/p&gt; 	&lt;/li&gt;&lt;li&gt;&lt;p style=&quot;margin-bottom: 0in;&quot;&gt;&lt;font face=&quot;Arial, sans-serif&quot;&gt;&lt;font size=&quot;3&quot;&gt;Paranoid 	&lt;i style=&quot;color: rgb(0, 0, 255);&quot;&gt;Unknown, her hatred of hunters may be paranoia or may be based on real experiences&lt;br /&gt;&lt;/i&gt;&lt;/font&gt;&lt;/font&gt;&lt;/p&gt; 	&lt;/li&gt;&lt;li&gt;&lt;p style=&quot;margin-bottom: 0in;&quot;&gt;&lt;font face=&quot;Arial, sans-serif&quot;&gt;&lt;font size=&quot;3&quot;&gt;Only 	rarely in difficulty with the law, but seeks out situations where 	their tyrannical behavior will be tolerated, condoned, or admired 	&lt;i style=&quot;color: rgb(0, 0, 255);&quot;&gt;Not so far as we have seen&lt;/i&gt;&lt;/font&gt;&lt;/font&gt;&lt;/p&gt; 	&lt;/li&gt;&lt;li&gt;&lt;p style=&quot;margin-bottom: 0in;&quot;&gt;&lt;font face=&quot;Arial, sans-serif&quot;&gt;&lt;font size=&quot;3&quot;&gt;Conventional 	appearance &lt;i style=&quot;color: rgb(0, 0, 255);&quot;&gt;Yes, she&apos;s pretty, but she doesn&apos;t stand out&lt;/i&gt;&lt;/font&gt;&lt;/font&gt;&lt;/p&gt; 	&lt;/li&gt;&lt;li&gt;&lt;p style=&quot;margin-bottom: 0in;&quot;&gt;&lt;font face=&quot;Arial, sans-serif&quot;&gt;&lt;font size=&quot;3&quot;&gt;Goal 	of enslavement of their victim(s) &lt;i style=&quot;color: rgb(0, 0, 255);&quot;&gt;Unknown, but no indication of this&lt;br /&gt;&lt;/i&gt;&lt;/font&gt;&lt;/font&gt;&lt;/p&gt; 	&lt;/li&gt;&lt;li&gt;&lt;p style=&quot;margin-bottom: 0in;&quot;&gt;&lt;font face=&quot;Arial, sans-serif&quot;&gt;&lt;font size=&quot;3&quot;&gt;Exercises 	despotic control over every aspect of the victim&apos;s life &lt;i style=&quot;color: rgb(0, 0, 255);&quot;&gt;Unknown&lt;/i&gt;&lt;/font&gt;&lt;/font&gt;&lt;/p&gt; 	&lt;/li&gt;&lt;li&gt;&lt;p style=&quot;margin-bottom: 0in;&quot;&gt;&lt;font face=&quot;Arial, sans-serif&quot;&gt;&lt;font size=&quot;3&quot;&gt;Has 	an emotional need to justify their crimes and therefore needs their 	victim&apos;s affirmation (respect, gratitude and love) &lt;i style=&quot;color: rgb(0, 0, 255);&quot;&gt;Not sure, it 	could explain the call to Dean after he found out she sent Gordon 	after them.&lt;/i&gt;&lt;/font&gt;&lt;/font&gt;&lt;/p&gt; 	&lt;/li&gt;&lt;li&gt;&lt;p style=&quot;margin-bottom: 0in;&quot;&gt;&lt;font face=&quot;Arial, sans-serif&quot;&gt;&lt;font size=&quot;3&quot;&gt;Ultimate 	goal is the creation of a willing victim &lt;i style=&quot;color: rgb(0, 0, 255);&quot;&gt;Unknown&lt;/i&gt;&lt;/font&gt;&lt;/font&gt;&lt;/p&gt; 	&lt;/li&gt;&lt;li&gt;&lt;p style=&quot;margin-bottom: 0in;&quot;&gt;&lt;font face=&quot;Arial, sans-serif&quot;&gt;&lt;font size=&quot;3&quot;&gt;Incapable 	of real human attachment to another &lt;i style=&quot;color: rgb(0, 0, 255);&quot;&gt;Unknown&lt;/i&gt;&lt;/font&gt;&lt;/font&gt;&lt;/p&gt; 	&lt;/li&gt;&lt;li&gt;&lt;p style=&quot;margin-bottom: 0in;&quot;&gt;&lt;font face=&quot;Arial, sans-serif&quot;&gt;&lt;font size=&quot;3&quot;&gt;Unable 	to feel remorse or guilt &lt;i style=&quot;color: rgb(0, 0, 255);&quot;&gt;Unknown&lt;/i&gt;&lt;/font&gt;&lt;/font&gt;&lt;/p&gt; 	&lt;/li&gt;&lt;li&gt;&lt;p style=&quot;margin-bottom: 0in;&quot;&gt;&lt;font face=&quot;Arial, sans-serif&quot;&gt;&lt;font size=&quot;3&quot;&gt;Extreme 	narcissism and grandiose &lt;i style=&quot;color: rgb(0, 0, 255);&quot;&gt;Unknown&lt;/i&gt;&lt;/font&gt;&lt;/font&gt;&lt;/p&gt; 	&lt;/li&gt;&lt;li&gt;&lt;font face=&quot;Arial, sans-serif&quot;&gt;&lt;font size=&quot;3&quot;&gt;May state readily 	that their goal is to rule the world &lt;i style=&quot;color: rgb(0, 0, 255);&quot;&gt;Not as yet and doesn&apos;t seem likely.&lt;/i&gt;&lt;/font&gt;&lt;/font&gt;&lt;/li&gt;&lt;/font&gt;&lt;/ol&gt;&lt;font face=&quot;Arial, sans-serif&quot;&gt;&lt;font size=&quot;3&quot;&gt;So in the first group Bela scores a yes on 11 have been shown in canon and we have not seen one way or the other on 6 characteristics.&amp;nbsp; Of the 15 related characteristics, 3 have been shown, 6 we have not observed one way or the other, 3 are possible and 3 could go either way.&amp;nbsp; In any case, I will continue to view Bela as a sociopath.&amp;nbsp; I actually hope that the writers keep her that way, and do not go for a trite and cliche &quot;redemption arc.&lt;/font&gt;&lt;br /&gt; &lt;/font&gt;&lt;/div&gt;&lt;p style=&quot;margin-bottom: 0in;&quot;&gt;&lt;font face=&quot;Arial, sans-serif&quot;&gt;&lt;br /&gt; &lt;/font&gt;&lt;/p&gt;</description>
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  <lj:mood>accomplished</lj:mood>
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  <lj:reply-count>4</lj:reply-count>
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  <guid isPermaLink='true'>http://percysowner.livejournal.com/1287.html</guid>
  <pubDate>Thu, 03 Jun 2004 02:16:33 GMT</pubDate>
  <link>http://percysowner.livejournal.com/1287.html</link>
  <description>Gigantic book meme borrowed from &lt;a href=&quot;http://www.livejournal.com/users/alchemia/44443.html#cutid1&quot;&gt;alchemia&lt;/a&gt; &lt;br /&gt;&lt;a name=&quot;cutid1&quot;&gt;&lt;/a&gt;bold those you&apos;ve read&lt;br /&gt;*italicise started-but-never-finished (I added those you were assigned in English class and read in Cliff&apos;s Notes.)&lt;br /&gt;*underline those you own but haven&apos;t gotten to yet&lt;br /&gt;*add three of your own&lt;br /&gt;*post to your livejournal&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;1. &lt;b&gt;The Lord of the Rings, JRR Tolkien&lt;br /&gt;2. Pride and Prejudice, Jane Austen&lt;br /&gt;3. His Dark Materials, Philip Pullman&lt;br /&gt;4. The Hitchhiker&apos;s Guide to the Galaxy, Douglas Adams&lt;br /&gt;5. Harry Potter and the Goblet of Fire, JK Rowling&lt;br /&gt;6. To Kill a Mockingbird, Harper Lee&lt;br /&gt;7. Winnie the Pooh, AA Milne&lt;br /&gt;8. 1984, George Orwell&lt;br /&gt;9. The Lion, the Witch and the Wardrobe, CS Lewis&lt;br /&gt;10. Jane Eyre, Charlotte Bronte &lt;br /&gt;11. Catch-22, Joseph Heller&lt;br /&gt;12. Wuthering Heights, Emily Bronte&lt;/b&gt;&lt;br /&gt;13. Birdsong, Sebastian Faulks&lt;br /&gt;14. &lt;b&gt;Rebecca, Daphne du Maurier &lt;br /&gt;15. The Catcher in the Rye, JD Salinger&lt;br /&gt;16. The Wind in the Willows, Kenneth Grahame&lt;br /&gt;17. Great Expectations, Charles Dickens&lt;br /&gt;18. Little Women, Louisa May Alcott&lt;/b&gt; &lt;br /&gt;19. Captain Corelli&apos;s Mandolin, Louis de Bernieres&lt;br /&gt;20. &lt;b&gt;War and Peace, Leo Tolstoy&lt;br /&gt;21. Gone with the Wind, Margaret Mitchell&lt;br /&gt;22. Harry Potter And The Sorcerer&apos;s (Philosopher&apos;s) Stone, JK Rowling&lt;br /&gt;23. Harry Potter And The Chamber Of Secrets, JK Rowling&lt;br /&gt;24. Harry Potter And The Prisoner Of Azkaban, JK Rowling&lt;br /&gt;25. The Hobbit, JRR Tolkien&lt;br /&gt;26. Tess Of The D&apos;Urbervilles, Thomas Hardy&lt;/b&gt;&lt;br /&gt;27. Middlemarch, George Eliot&lt;br /&gt;28. A Prayer For Owen Meany, John Irving&lt;br /&gt;29. &lt;i&gt;The Grapes Of Wrath, John Steinbeck&lt;/i&gt;&lt;br /&gt;30. &lt;b&gt;Alice&apos;s Adventures In Wonderland, Lewis Carroll&lt;/b&gt;&lt;br /&gt;31. The Story Of Tracy Beaker, Jacqueline Wilson&lt;br /&gt;32. One Hundred Years Of Solitude, Gabriel Garcia Marquez&lt;br /&gt;33. The Pillars Of The Earth, Ken Follett&lt;br /&gt;34. &lt;b&gt;David Copperfield, Charles Dickens&lt;br /&gt;35. Charlie And The Chocolate Factory, Roald Dahl&lt;/b&gt;&lt;br /&gt;36. Treasure Island, Robert Louis Stevenson&lt;br /&gt;37. A Town Like Alice, Nevil Shute&lt;br /&gt;38. Persuasion, Jane Austen&lt;br /&gt;39. &lt;b&gt;Dune, Frank Herbert&lt;/b&gt;&lt;br /&gt;40. Emma, Jane Austen&lt;br /&gt;41. &lt;b&gt;Anne Of Green Gables, LM Montgomery&lt;br /&gt;42. Watership Down, Richard Adams&lt;br /&gt;43. The Great Gatsby, F Scott Fitzgerald&lt;br /&gt;44. The Count Of Monte Cristo, Alexandre Dumas&lt;/b&gt;&lt;br /&gt;45. Brideshead Revisited, Evelyn Waugh&lt;br /&gt;46. Animal Farm, George Orwell&lt;br /&gt;47. &lt;b&gt;A Christmas Carol, Charles Dickens&lt;/b&gt;&lt;br /&gt;48. Far From The Madding Crowd, Thomas Hardy&lt;br /&gt;49. Goodnight Mister Tom, Michelle Magorian&lt;br /&gt;50. The Shell Seekers, Rosamunde Pilcher&lt;br /&gt;51. &lt;b&gt;The Secret Garden, Frances Hodgson Burnett&lt;br /&gt;52. Of Mice And Men, John Steinbeck&lt;/b&gt;&lt;br /&gt;53. &lt;i&gt;The Stand, Stephen King&lt;/i&gt;&lt;br /&gt;54. Anna Karenina, Leo Tolstoy&lt;br /&gt;55. A Suitable Boy, Vikram Seth&lt;br /&gt;56. The BFG, Roald Dahl&lt;br /&gt;57. Swallows And Amazons, Arthur Ransome&lt;br /&gt;58. &lt;b&gt;Black Beauty, Anna Sewell&lt;/b&gt;&lt;br /&gt;59. &lt;i&gt;Artemis Fowl, Eoin Colfer&lt;/i&gt;&lt;br /&gt;60. &lt;b&gt;Crime And Punishment, Fyodor Dostoyevsky&lt;/b&gt;&lt;br /&gt;61. Noughts And Crosses, Malorie Blackman&lt;br /&gt;62. Memoirs Of A Geisha, Arthur Golden&lt;br /&gt;63. &lt;b&gt;A Tale Of Two Cities, Charles Dickens&lt;/b&gt;&lt;br /&gt;64. The Thorn Birds, Colleen McCollough&lt;br /&gt;65. &lt;b&gt;Mort, Terry Pratchett&lt;/b&gt;&lt;br /&gt;66. The Magic Faraway Tree, Enid Blyton&lt;br /&gt;67. The Magus, John Fowles&lt;br /&gt;68. Good Omens, Terry Pratchett and Neil Gaiman&lt;br /&gt;69. &lt;b&gt;Guards! Guards!, Terry Pratchett&lt;br /&gt;70. Lord Of The Flies, William Golding&lt;/b&gt;&lt;br /&gt;71. Perfume, Patrick Susskind&lt;br /&gt;72. The Ragged Trousered Philanthropists, Robert Tressell&lt;br /&gt;73. &lt;b&gt;Night Watch, Terry Pratchett&lt;/b&gt;&lt;br /&gt;74. Matilda, Roald Dahl&lt;br /&gt;75. Bridget Jones&apos;s Diary, Helen Fielding&lt;br /&gt;76. The Secret History, Donna Tartt&lt;br /&gt;77. &lt;b&gt;The Woman In White, Wilkie Collins&lt;/b&gt;&lt;br /&gt;78. Ulysses, James Joyce Unfortunately&lt;br /&gt;79. Bleak House, Charles Dickens&lt;br /&gt;80. Double Act, Jacqueline Wilson&lt;br /&gt;81. The Twits, Roald Dahl&lt;br /&gt;82. I Capture The Castle, Dodie Smith&lt;br /&gt;83. &lt;u&gt;Holes, Louis Sachar&lt;/u&gt;&lt;br /&gt;84. &lt;i&gt;Gormenghast, Mervyn Peake&lt;/i&gt;&lt;br /&gt;85. The God Of Small Things, Arundhati Roy&lt;br /&gt;86. Vicky Angel, Jacqueline Wilson&lt;br /&gt;87. &lt;b&gt;Brave New World, Aldous Huxley&lt;/b&gt;&lt;br /&gt;88. Cold Comfort Farm, Stella Gibbons&lt;br /&gt;89. Magician, Raymond E Feist&lt;br /&gt;90. On The Road, Jack Kerouac&lt;br /&gt;91. The Godfather, Mario Puzo&lt;br /&gt;92. The Clan Of The Cave Bear, Jean M Auel&lt;br /&gt;93. &lt;b&gt;The Colour Of Magic, Terry Pratchett&lt;/b&gt;&lt;br /&gt;94. The Alchemist, Paulo Coelho&lt;br /&gt;95. Katherine, Anya Seton&lt;br /&gt;96. Kane And Abel, Jeffrey Archer&lt;br /&gt;97. Love In The Time Of Cholera, Gabriel Garcia Marquez &lt;br /&gt;98. Girls In Love, Jacqueline Wilson&lt;br /&gt;99. The Princess Diaries, Meg Cabot&lt;br /&gt;100. Midnight&apos;s Children, Salman Rushdie&lt;br /&gt;101. Three Men In A Boat, Jerome K. Jerome&lt;br /&gt;102. &lt;b&gt;Small Gods, Terry Pratchett&lt;/b&gt;&lt;br /&gt;103. The Beach, Alex Garland&lt;br /&gt;104. &lt;b&gt;Dracula, Bram Stoker&lt;/b&gt;&lt;br /&gt;105. Point Blanc, Anthony Horowitz&lt;br /&gt;106. The Pickwick Papers, Charles Dickens&lt;br /&gt;107. Stormbreaker, Anthony Horowitz&lt;br /&gt;108. The Wasp Factory, Iain Banks&lt;br /&gt;109. The Day Of The Jackal, Frederick Forsyth&lt;br /&gt;110. The Illustrated Mum, Jacqueline Wilson&lt;br /&gt;111. Jude The Obscure, Thomas Hardy&lt;br /&gt;112. The Secret Diary Of Adrian Mole Aged 13 1/2, Sue Townsend&lt;br /&gt;113. The Cruel Sea, Nicholas Monsarrat&lt;br /&gt;114. Les Miserables, Victor Hugo &lt;br /&gt;115. The Mayor Of Casterbridge, Thomas Hardy &lt;br /&gt;116. The Dare Game, Jacqueline Wilson&lt;br /&gt;117. Bad Girls, Jacqueline Wilson&lt;br /&gt;118. &lt;i&gt;The Picture Of Dorian Gray, Oscar Wilde&lt;/i&gt;&lt;br /&gt;119. Shogun, James Clavell&lt;br /&gt;120. &lt;b&gt;The Day Of The Triffids, John Wyndham&lt;/b&gt;&lt;br /&gt;121. Lola Rose, Jacqueline Wilson&lt;br /&gt;122. Vanity Fair, William Makepeace Thackeray&lt;br /&gt;123. The Forsyte Saga, John Galsworthy&lt;br /&gt;124. House Of Leaves, Mark Z. Danielewski&lt;br /&gt;125. The Poisonwood Bible, Barbara Kingsolver&lt;br /&gt;126. &lt;b&gt;Reaper Man, Terry Pratchett&lt;/b&gt;&lt;br /&gt;127. Angus, Thongs And Full-Frontal Snogging, Louise Rennison&lt;br /&gt;128. &lt;b&gt;The Hound Of The Baskervilles, Arthur Conan Doyle&lt;/b&gt;&lt;br /&gt;129. Possession, A. S. Byatt&lt;br /&gt;130. The Master And Margarita, Mikhail Bulgakov&lt;br /&gt;131. The Handmaid&apos;s Tale, Margaret Atwood&lt;br /&gt;132. Danny The Champion Of The World, Roald Dahl&lt;br /&gt;133. &lt;b&gt;East Of Eden, John Steinbeck&lt;/b&gt;&lt;br /&gt;134. George&apos;s Marvellous Medicine, Roald Dahl&lt;br /&gt;135. &lt;b&gt;Wyrd Sisters, Terry Pratchett&lt;/b&gt;&lt;br /&gt;136. The Color Purple, Alice Walker&lt;br /&gt;137. &lt;b&gt;Hogfather, Terry Pratchett&lt;/b&gt;&lt;br /&gt;138. The Thirty-Nine Steps, John Buchan&lt;br /&gt;139. Girls In Tears, Jacqueline Wilson&lt;br /&gt;140. Sleepovers, Jacqueline Wilson&lt;br /&gt;141. &lt;b&gt;All Quiet On The Western Front, Erich Maria Remarque&lt;/b&gt;&lt;br /&gt;142. Behind The Scenes At The Museum, Kate Atkinson&lt;br /&gt;143. High Fidelity, Nick Hornby&lt;br /&gt;144. It, Stephen King&lt;br /&gt;145. James And The Giant Peach, Roald Dahl&lt;br /&gt;146. The Green Mile, Stephen King&lt;br /&gt;147. Papillon, Henri Charriere&lt;br /&gt;148. &lt;b&gt;Men At Arms, Terry Pratchett&lt;/b&gt;&lt;br /&gt;149. Master And Commander, Patrick O&apos;Brian&lt;br /&gt;150. Skeleton Key, Anthony Horowitz&lt;br /&gt;151. &lt;b&gt;Soul Music, Terry Pratchett&lt;br /&gt;152. Thief Of Time, Terry Pratchett&lt;br /&gt;153. The Fifth Elephant, Terry Pratchett&lt;/b&gt;&lt;br /&gt;154. Atonement, Ian McEwan&lt;br /&gt;155. Secrets, Jacqueline Wilson&lt;br /&gt;156. The Silver Sword, Ian Serraillier&lt;br /&gt;157. &lt;b&gt;One Flew Over The Cuckoo&apos;s Nest, Ken Kesey&lt;/b&gt;&lt;br /&gt;158. Heart Of Darkness, Joseph Conrad&lt;br /&gt;159. Kim, Rudyard Kipling&lt;br /&gt;160. Cross Stitch, Diana Gabaldon&lt;br /&gt;161. Moby Dick, Herman Melville&lt;br /&gt;162. River God, Wilbur Smith&lt;br /&gt;163. Sunset Song, Lewis Grassic Gibbon&lt;br /&gt;164. The Shipping News, Annie Proulx&lt;br /&gt;165. The World According To Garp, John Irving&lt;br /&gt;166. &lt;b&gt;Lorna Doone, R. D. Blackmore&lt;/b&gt;&lt;br /&gt;167. Girls Out Late, Jacqueline Wilson&lt;br /&gt;168. The Far Pavilions, M. M. Kaye&lt;br /&gt;169. The Witches, Roald Dahl&lt;br /&gt;170. &lt;b&gt;Charlotte&apos;s Web, E. B. White&lt;br /&gt;171. Frankenstein, Mary Shelley&lt;/b&gt;&lt;br /&gt;172. They Used To Play On Grass, Terry Venables and Gordon Williams&lt;br /&gt;173. &lt;b&gt;The Old Man And The Sea, Ernest Hemingway&lt;/b&gt;&lt;br /&gt;174. The Name Of The Rose, Umberto Eco&lt;br /&gt;175. Sophie&apos;s World, Jostein Gaarder&lt;br /&gt;176. Dustbin Baby, Jacqueline Wilson&lt;br /&gt;177. Fantastic Mr. Fox, Roald Dahl&lt;br /&gt;178. Lolita, Vladimir Nabokov&lt;br /&gt;179. &lt;b&gt;Jonathan Livingstone Seagull, Richard Bach &lt;br /&gt;180. The Little Prince, Antoine De Saint-Exupery&lt;/b&gt;&lt;br /&gt;181. The Suitcase Kid, Jacqueline Wilson&lt;br /&gt;182. Oliver Twist, Charles Dickens&lt;br /&gt;183. The Power Of One, Bryce Courtenay&lt;br /&gt;184. Silas Marner, George Eliot&lt;br /&gt;185. American Psycho, Bret Easton Ellis&lt;br /&gt;186. The Diary Of A Nobody, George and Weedon Gross-mith&lt;br /&gt;187. Trainspotting, Irvine Welsh&lt;br /&gt;188. Goosebumps, R. L. Stine&lt;br /&gt;189. &lt;b&gt;Heidi, Johanna Spyri&lt;/b&gt;&lt;br /&gt;190. Sons And Lovers, D. H. Lawrence&lt;br /&gt;191. The Unbearable Lightness of Being, Milan Kundera&lt;br /&gt;192. Man And Boy, Tony Parsons&lt;br /&gt;193. &lt;b&gt;The Truth, Terry Pratchett&lt;/b&gt;&lt;br /&gt;194. The War Of The Worlds, H. G. Wells&lt;br /&gt;195. The Horse Whisperer, Nicholas Evans&lt;br /&gt;196. A Fine Balance, Rohinton Mistry&lt;br /&gt;197. &lt;b&gt;Witches Abroad, Terry Pratchett&lt;/b&gt;&lt;br /&gt;198. &lt;i&gt;The Once And Future King, T. H. White&lt;/i&gt;&lt;br /&gt;199. &lt;b&gt;The Very Hungry Caterpillar, Eric Carle&lt;br /&gt;200. Flowers In The Attic, Virginia Andrews&lt;/b&gt;&lt;br /&gt;201. The Silmarillion, J.R.R. Tolkien&lt;br /&gt;202. The Eye of the World, Robert Jordan&lt;br /&gt;203. &lt;u&gt;The Great Hunt, Robert Jordan&lt;/u&gt;&lt;br /&gt;204. The Dragon Reborn, Robert Jordan&lt;br /&gt;205. Fires of Heaven, Robert Jordan&lt;br /&gt;206. Lord of Chaos, Robert Jordan&lt;br /&gt;207. Winter&apos;s Heart, Robert Jordan&lt;br /&gt;208. A Crown of Swords, Robert Jordan &lt;br /&gt;209. Crossroads of Twilight, Robert Jordan&lt;br /&gt;210. A Path of Daggers, Robert Jordan &lt;br /&gt;211. As Nature Made Him, John Colapinto&lt;br /&gt;212. Microserfs, Douglas Coupland&lt;br /&gt;213. The Married Man, Edmund White&lt;br /&gt;214. &lt;b&gt;Winter&apos;s Tale, Mark Helprin&lt;/b&gt;&lt;br /&gt;215. The History of Sexuality, Michel Foucault &lt;br /&gt;216. Cry to Heaven, Anne Rice&lt;br /&gt;217. Same-Sex Unions in Premodern Europe, John Boswell&lt;br /&gt;218. Equus, Peter Shaffer&lt;br /&gt;219. The Man Who Ate Everything, Jeffrey Steingarten&lt;br /&gt;220. Letters To A Young Poet, Rainer Maria Rilke&lt;br /&gt;221. Ella Minnow Pea, Mark Dunn&lt;br /&gt;222. The Vampire Lestat, Anne Rice&lt;br /&gt;223. Anthem, Ayn Rand&lt;br /&gt;224. The Bridge To Terabithia, Katherine Paterson&lt;br /&gt;225. Tartuffe, Moliere&lt;br /&gt;226. The Metamorphosis, Franz Kafka&lt;br /&gt;227. The Crucible, Arthur Miller&lt;br /&gt;228. The Trial, Franz Kafka&lt;br /&gt;229. Oedipus Rex, Sophocles&lt;br /&gt;230. Oedipus at Colonus, Sophocles&lt;br /&gt;231. &lt;b&gt;Death Be Not Proud, John Gunther&lt;/b&gt;&lt;br /&gt;232. A Doll&apos;s House, Henrik Ibsen&lt;br /&gt;233. Hedda Gabler, Henrik Ibsen&lt;br /&gt;234. &lt;b&gt;Ethan Frome, Edith Wharton&lt;br /&gt;235. A Raisin In The Sun, Lorraine Hansberry&lt;/b&gt;&lt;br /&gt;236. ALIVE!, Piers Paul Read&lt;br /&gt;237. Grapefruit, Yoko Ono&lt;br /&gt;238. Trickster Makes This World, Lewis Hyde&lt;br /&gt;240. The Mists of Avalon, Marion Zimmer Bradley&lt;br /&gt;241. &lt;b&gt;Chronicles of Thomas Convenant, Unbeliever, Stephen Donaldson&lt;/b&gt;&lt;br /&gt;242. Lord of Light, Roger Zelazny&lt;br /&gt;242. The Amazing Adventures of Kavalier &amp; Clay, Michael Chabon&lt;br /&gt;243. Summerland, Michael Chabon&lt;br /&gt;244. A Confederacy of Dunces, John Kennedy Toole&lt;br /&gt;245. Candide, Voltaire&lt;br /&gt;246. The Wonderful Story of Henry Sugar and Six More, Roald Dahl&lt;br /&gt;247. Ringworld, Larry Niven&lt;br /&gt;248. The King Must Die, Mary Renault&lt;br /&gt;249. &lt;b&gt;Stranger in a Strange Land, Robert Heinlein&lt;br /&gt;250. A Wrinkle in Time, Madeline L&apos;Engle&lt;/b&gt;&lt;br /&gt;251. The Eyre Affair, Jasper Fforde&lt;br /&gt;252. &lt;b&gt;The House Of The Seven Gables, Nathaniel Hawthorne&lt;br /&gt;253. The Scarlet Letter, Nathaniel Hawthorne&lt;/b&gt;&lt;br /&gt;254. The Joy Luck Club, Amy Tan&lt;br /&gt;255. The Great Gilly Hopkins, Katherine Paterson&lt;br /&gt;256. Chocolate Fever, Robert Kimmel Smith&lt;br /&gt;257. Xanth: The Quest for Magic, Piers Anthony&lt;br /&gt;258. The Lost Princess of Oz, L. Frank Baum&lt;br /&gt;259. Wonder Boys, Michael Chabon&lt;br /&gt;260. Lost In A Good Book, Jasper Fforde&lt;br /&gt;261. Well Of Lost Plots, Jasper Fforde&lt;br /&gt;261. Life Of Pi, Yann Martel&lt;br /&gt;263. The Bean Trees, Barbara Kingsolver&lt;br /&gt;264. A Yellow Raft In Blue Water, Michael Dorris&lt;br /&gt;265. &lt;b&gt;Little House on the Prairie, Laura Ingalls Wilder&lt;/b&gt;&lt;br /&gt;267. Where The Red Fern Grows, Wilson Rawls&lt;br /&gt;268. Griffin &amp; Sabine, Nick Bantock&lt;br /&gt;269. Witch of Black Bird Pond, Joyce Friedland NO. ELIZABETH GEORGE SPEARE!!&lt;br /&gt;270. &lt;b&gt;Mrs. Frisby And The Rats Of NIMH, Robert C. O&apos;Brien&lt;/b&gt;&lt;br /&gt;271. Tuck Everlasting, Natalie Babbitt&lt;br /&gt;272. The Cay, Theodore Taylor&lt;br /&gt;273. &lt;b&gt;From The Mixed-Up Files Of Mrs. Basil E. Frankweiler, E.L. Konigsburg&lt;br /&gt;274. The Phantom Tollbooth, Norton Jester&lt;br /&gt;275. The Westing Game, Ellen Raskin&lt;/b&gt;&lt;br /&gt;276. The Kitchen God&apos;s Wife, Amy Tan&lt;br /&gt;277. The Bone Setter&apos;s Daughter, Amy Tan&lt;br /&gt;278. Relic, Duglas Preston &amp; Lincolon Child&lt;br /&gt;279. &lt;i&gt;Wicked, Gregory Maguire&lt;br /&gt;280. American Gods, Neil Gaiman&lt;br /&gt;281. Misty of Chincoteague, Marguerite Henry&lt;/i&gt; &lt;br /&gt;282. The Girl Next Door, Jack Ketchum&lt;br /&gt;283. Haunted, Judith St. George&lt;br /&gt;284. Singularity, William Sleator&lt;br /&gt;285. A Short History of Nearly Everything, Bill Bryson&lt;br /&gt;286. Different Seasons, Stephen King&lt;br /&gt;287. Fight Club, Chuck Palahniuk&lt;br /&gt;288. About a Boy, Nick Hornby&lt;br /&gt;289. The Bookman&apos;s Wake, John Dunning&lt;br /&gt;290. The Church of Dead Girls, Stephen Dobyns&lt;br /&gt;291. Illusions, Richard Bach&lt;br /&gt;292. Magic&apos;s Pawn, Mercedes Lackey&lt;br /&gt;293. Magic&apos;s Promise, Mercedes Lackey&lt;br /&gt;294. Magic&apos;s Price, Mercedes Lackey&lt;br /&gt;295. The Dancing Wu Li Masters, Gary Zukav&lt;br /&gt;296. Spirits of Flux and Anchor, Jack L. Chalker&lt;br /&gt;297. Interview with the Vampire, Anne Rice&lt;br /&gt;298. The Encyclopedia of Unusual Sex Practices, Brenda Love&lt;br /&gt;299. Infinite Jest, David Foster Wallace&lt;br /&gt;300. The Bluest Eye, Toni Morrison.&lt;br /&gt;301. The Cider House Rules, John Irving.&lt;br /&gt;302. Ender&apos;s Game, Orson Scott Card&lt;br /&gt;303. Girlfriend in a Coma, Douglas Coupland&lt;br /&gt;304. The Lion&apos;s Game, Nelson Demille&lt;br /&gt;305. The Sun, The Moon, and the Stars, Stephen Brust&lt;br /&gt;306. Cyteen, C. J. Cherryh&lt;br /&gt;307. Foucault&apos;s Pendulum, Umberto Eco&lt;br /&gt;308. Cryptonomicon, Neal Stephenson&lt;br /&gt;309. Invisible Monsters, Chuck Palahniuk&lt;br /&gt;310. Camber of Culdi, Kathryn Kurtz&lt;br /&gt;311. The Fountainhead, Ayn Rand&lt;br /&gt;312. War and Rememberance, Herman Wouk &lt;br /&gt;313. The Art of War, Sun Tzu&lt;br /&gt;314. &lt;b&gt;The Giver, Lois Lowry&lt;/b&gt;&lt;br /&gt;315. The Telling, Ursula Le Guin&lt;br /&gt;316. Xenogenesis (or Lilith&apos;s Brood), Octavia Butler (Dawn, Adulthood Rites, Imago)&lt;br /&gt;317. A Civil Campaign, Lois McMaster Bujold&lt;br /&gt;318. The Curse of Chalion, Lois McMaster Bujold&lt;br /&gt;319. The Aeneid, Publius Vergilius Maro (Vergil)&lt;br /&gt;320. Hanta Yo, Ruth Beebe Hill&lt;br /&gt;321. &lt;b&gt;The Princess Bride, S. Morganstern (or William Goldman)&lt;/b&gt;&lt;br /&gt;322. Beowulf, Anonymous (excerpts)&lt;br /&gt;323. The Sparrow, Maria Doria Russell&lt;br /&gt;324. &lt;b&gt;Deerskin, Robin McKinley&lt;br /&gt;325. Dragonsong, Anne McCaffrey&lt;/b&gt;&lt;br /&gt;326. Passage, Connie Willis&lt;br /&gt;327. Otherland, Tad Williams&lt;br /&gt;328. Tigana, Guy Gavriel Kay&lt;br /&gt;329. Number the Stars, Lois Lowry&lt;br /&gt;330. Beloved, Toni Morrison&lt;br /&gt;331. Lamb: The Gospel According to Biff, Christ&apos;s Childhood Pal, Christopher Moore&lt;br /&gt;332. The mysterious disappearance of Leon, I mean Noel, Ellen Raskin&lt;br /&gt;333. Summer Sisters, Judy Blume&lt;br /&gt;334. &lt;b&gt;The Hunchback of Notre Dame, Victor Hugo&lt;/b&gt;&lt;br /&gt;335. The Island on Bird Street, Uri Orlev&lt;br /&gt;336. Midnight in the Dollhouse, Marjorie Filley Stover&lt;br /&gt;337. &lt;b&gt;The Miracle Worker, William Gibson&lt;/b&gt;&lt;br /&gt;338. The Genesis Code, John Case&lt;br /&gt;339. &lt;b&gt;The Strange Case of Dr. Jekyll and Mr. Hyde, Robert Louis Stevenson&lt;br /&gt;340. Paradise Lost, John Milton&lt;/b&gt;&lt;br /&gt;341. Phantom, Susan Kay&lt;br /&gt;342. The Mummy or Ramses the Damned, Anne Rice&lt;br /&gt;343. Anno Dracula, Kim Newman&lt;br /&gt;344: The Dresden Files: Grave Peril, Jim Butcher&lt;br /&gt;345: Tokyo Suckerpunch, Issac Adamson&lt;br /&gt;346: The Winter of Magic&apos;s Return, Pamela Service&lt;br /&gt;347: The Oddkins, Dean R. Koontz&lt;br /&gt;348. My Name is Asher Lev, Chaim Potok&lt;br /&gt;349. The Last Goodbye, Raymond Chandler&lt;br /&gt;350. At Swim, Two Boys, Jaime O&apos;Neill&lt;br /&gt;351. Othello, by William Shakespeare&lt;br /&gt;352. The Collected Poems of Dylan Thomas&lt;br /&gt;353. The Collected Poems of William Butler Yeats&lt;br /&gt;354. Sati, Christopher Pike&lt;br /&gt;355. The Inferno, Dante&lt;br /&gt;356. The Apology, Plato&lt;br /&gt;357. The Small Rain, Madeline L&apos;Engle&lt;br /&gt;358. The Man Who Tasted Shapes, Richard E Cytowick&lt;br /&gt;359. 5 Novels, Daniel Pinkwater&lt;br /&gt;360. The Sevenwaters Trilogy, Juliet Marillier&lt;br /&gt;361. Girl with a Pearl Earring, Tracy Chevalier&lt;br /&gt;362. To the Lighthouse, Virginia Woolf&lt;br /&gt;363. Our Town, Thorton Wilder&lt;br /&gt;364. Green Grass Running Water, Thomas King&lt;br /&gt;335. The Interpreter, Suzanne Glass&lt;br /&gt;336. The Moor&apos;s Last Sigh, Salman Rushdie&lt;br /&gt;337. The Mother Tongue, Bill Bryson&lt;br /&gt;338. A Passage to India, E.M. Forster&lt;br /&gt;339. The Perks of Being a Wallflower, Stephen Chbosky&lt;br /&gt;340. The Phantom of the Opera, Gaston Leroux&lt;br /&gt;341. Pages for You, Sylvia Brownrigg&lt;br /&gt;342. The Changeover, Margaret Mahy&lt;br /&gt;343. &lt;b&gt;Howl&apos;s Moving Castle, Diana Wynne Jones&lt;/b&gt;&lt;br /&gt;344. Angels and Demons, Dan Brown &lt;br /&gt;345. Johnny Got His Gun, Dalton Trumbo&lt;br /&gt;346. Shosha, Isaac Bashevis Singer&lt;br /&gt;347. Travels With Charley, John Steinbeck&lt;br /&gt;348. The Diving-bell and the Butterfly by Jean-Dominique Bauby&lt;br /&gt;349. The Lunatic at Large by J. Storer Clouston&lt;br /&gt;350. Time for Bed by David Baddiel&lt;br /&gt;351. Barrayar by Lois McMaster Bujold&lt;br /&gt;352. Quite Ugly One Morning by Christopher Brookmyre&lt;br /&gt;353. The Bloody Sun by Marion Zimmer Bradley&lt;br /&gt;354. Sewer, Gas, and Eletric by Matt Ruff&lt;br /&gt;355. Jhereg by Steven Brust&lt;br /&gt;356. &lt;b&gt;So You Want To Be A Wizard by Diane Duane&lt;/b&gt;&lt;br /&gt;357. Perdido Street Station, China Mieville&lt;br /&gt;358. The Tenant of Wildfell Hall, Anne Bronte&lt;br /&gt;359. Road-side Dog, Czeslaw Milosz&lt;br /&gt;360. The English Patient, Michael Ondaatje&lt;br /&gt;361. Neuromancer, William Gibson&lt;br /&gt;362. The Epistemology of the Closet, Eve Kosofsky Sedgwick&lt;br /&gt;363. A Canticle for Liebowitz, Walter M. Miller, Jr&lt;br /&gt;364. The Mask of Apollo, Mary Renault&lt;br /&gt;365. The Gunslinger, Stephen King&lt;br /&gt;366. &lt;b&gt;Romeo and Juliet, William Shakespeare&lt;/b&gt;&lt;br /&gt;367. Absalom, Absalom, William Faulkner&lt;br /&gt;368. The Sun Also Rises, Ernest Hemingway&lt;br /&gt;369. Dreamhouse, Alison Habens&lt;br /&gt;370. Hyperion, by Dan Simmons&lt;br /&gt;371. &lt;b&gt;Prospero&apos;s Children, Jan Siegel&lt;br /&gt;372. Gaudy Night, Dorothy Sayers&lt;/b&gt;&lt;br /&gt;373. Guns, Germs, and Steel, Jared Diamond&lt;br /&gt;374. Enchantment, Orson Scott Card&lt;br /&gt;375. Cetaganda, Lois McMaster Bujold&lt;br /&gt;376. Beauty, Sheri S. Tepper&lt;br /&gt;377. The Hour of the Star, Clarice Lispector&lt;br /&gt;378. The Patron Saint of Liars, Ann Patchett&lt;br /&gt;379. Sexing the Cherry, Jeanette Winterson.&lt;br /&gt;380. &lt;b&gt;A Wizard of Earthsea, Ursula Le Guin.&lt;/b&gt;&lt;br /&gt;381. Assassin&apos;s Apprentice, Robin Hobb.&lt;br /&gt;382. The Axis Trilogy, Sara Douglass&lt;br /&gt;383. Peter Pan, J. M. Barrie&lt;br /&gt;384. Sabriel, Garth Nix&lt;br /&gt;385. &lt;b&gt;Neverwhere, Neil Gaiman&lt;/b&gt;&lt;br /&gt;386. The Silence of the Lambs, Robert Harris&lt;br /&gt;387. The Hot Zone, Richard Preston&lt;br /&gt;388. The Dispossessed, Ursula K. Le Guin&lt;br /&gt;389. The House with a Clock in its Walls, John Bellairs&lt;br /&gt;390. The Wings of a Falcon, Cynthia Voigt&lt;br /&gt;391. Gain, by Richard Powers&lt;br /&gt;392. White NOise, by Don DeLillo&lt;br /&gt;393. Koko, by Peter Straub&lt;br /&gt;394. Death in Venice by Thomas Mann&lt;br /&gt;395. &lt;b&gt;The Persian Boy by Mary Renault&lt;/b&gt;&lt;br /&gt;396. Maurice by EM Forster&lt;br /&gt;397. &lt;b&gt;Left Hand of Darkness. Ursula K. Le Guin&lt;/b&gt;&lt;br /&gt;398. Slaughterhouse Five. Kurt Vonnegut &lt;br /&gt;399. &lt;b&gt;Martian Chronicles. Ray Bradbury&lt;/b&gt;&lt;br /&gt;400. Thinking in Pictures – Temple Grandin&lt;br /&gt;401. Reason for Hope – Jane Goodall &lt;br /&gt;402. The Man who Mistook his wife for a Hat – Oliver Sacks&lt;br /&gt;&lt;br /&gt;And My three&lt;br /&gt;403. &lt;b&gt;Wee Free Men - Terry Pratchett&lt;br /&gt;404. Ella Enchanted - Gail Levine&lt;br /&gt;405. Friday&apos;s Child - Georgette Heyer&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;Boy that&apos;s quite a lot of reading!</description>
  <comments>http://percysowner.livejournal.com/1287.html</comments>
  <lj:security>public</lj:security>
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  <guid isPermaLink='true'>http://percysowner.livejournal.com/1238.html</guid>
  <pubDate>Tue, 18 May 2004 22:14:15 GMT</pubDate>
  <link>http://percysowner.livejournal.com/1238.html</link>
  <description>Gakked from everybody&lt;br /&gt;&lt;br /&gt;1. Copy and paste this: [font color=yourusername][b]yourusername[/b][/font] into your journal.&lt;br /&gt;2. Replace [] with &amp;lt;&amp;gt;&lt;br /&gt;&lt;br /&gt; &lt;font color=&quot;yourusername&quot;&gt;&lt;b&gt;percysowner&lt;/b&gt;&lt;/font&gt;</description>
  <comments>http://percysowner.livejournal.com/1238.html</comments>
  <lj:security>public</lj:security>
  <lj:reply-count>0</lj:reply-count>
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  <guid isPermaLink='true'>http://percysowner.livejournal.com/1013.html</guid>
  <pubDate>Sat, 15 May 2004 00:30:04 GMT</pubDate>
  <title>I&apos;m so proud!</title>
  <link>http://percysowner.livejournal.com/1013.html</link>
  <description>&lt;img src=&quot;http://images.quizilla.com/B/BaalObsidian/1080162080_cturesgod3.jpg&quot; border=&quot;0&quot; alt=&quot;Grammar God!&quot;&gt;&lt;br&gt;You are a &lt;b&gt;GRAMMAR GOD&lt;/b&gt;!&lt;br /&gt;&lt;br&gt;&lt;br&gt;If your mission in life is not already to&lt;br&gt;preserve the English tongue, it should be.&lt;br&gt;Congratulations and thank you!&lt;br /&gt;&lt;br&gt;&lt;br&gt;&lt;a href=&quot;http://quizilla.com/users/BaalObsidian/quizzes/How%20grammatically%20sound%20are%20you%3F/&quot;&gt; &lt;font size=&quot;-1&quot;&gt;How grammatically sound are you?&lt;/font&gt;&lt;/a&gt;&lt;br&gt; &lt;font size=&quot;-3&quot;&gt;brought to you by &lt;a href=&quot;http://quizilla.com&quot;&gt;Quizilla&lt;/a&gt;&lt;/font&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;I really thought I would flunk this.</description>
  <comments>http://percysowner.livejournal.com/1013.html</comments>
  <lj:security>public</lj:security>
  <lj:reply-count>2</lj:reply-count>
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  <guid isPermaLink='true'>http://percysowner.livejournal.com/659.html</guid>
  <pubDate>Sat, 14 Feb 2004 03:32:28 GMT</pubDate>
  <link>http://percysowner.livejournal.com/659.html</link>
  <description>Keep the chain going&lt;br /&gt;&lt;br /&gt;&lt;center&gt;&lt;table width=&quot;50%&quot; cellspacing=&quot;0&quot; cellpadding=&quot;0&quot;&gt;&lt;tr&gt;&lt;td width=&quot;14.29%&quot; bgcolor=&quot;red&quot;&gt;&amp;nbsp;&lt;/td&gt;&lt;td width=&quot;14.29%&quot; bgcolor=&quot;orange&quot;&gt;&amp;nbsp;&lt;/td&gt;&lt;td width=&quot;14.29%&quot; bgcolor=&quot;yellow&quot;&gt;&amp;nbsp;&lt;/td&gt;&lt;td width=&quot;14.29%&quot; bgcolor=&quot;green&quot;&gt;&amp;nbsp;&lt;/td&gt;&lt;td width=&quot;14.29%&quot; bgcolor=&quot;blue&quot;&gt;&amp;nbsp;&lt;/td&gt;&lt;td width=&quot;14.29%&quot; bgcolor=&quot;indigo&quot;&gt;&amp;nbsp;&lt;/td&gt;&lt;td width=&quot;14.29%&quot; bgcolor=&quot;violet&quot;&gt;&amp;nbsp;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;7&quot; align=&quot;center&quot;&gt;&lt;a href=&quot;http://www.livejournal.com/users/shared_boxers/578528.html&quot;&gt;Marriage is love.&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/center&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href=&quot;http://www.livejournal.com/users/shared_boxers/578528.html&quot;&gt;http://www.livejournal.com/users/shared_boxers/578528.html&lt;/a&gt;</description>
  <comments>http://percysowner.livejournal.com/659.html</comments>
  <lj:mood>hopeful</lj:mood>
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  <lj:reply-count>1</lj:reply-count>
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  <guid isPermaLink='true'>http://percysowner.livejournal.com/507.html</guid>
  <pubDate>Wed, 26 Nov 2003 02:43:30 GMT</pubDate>
  <title>Let&apos;s get this show on the road</title>
  <link>http://percysowner.livejournal.com/507.html</link>
  <description>I can&apos;t believe I actually did this.  I am really the world&apos;s most boring person and I haven&apos;t written anything in years.  In fact, I really got this account so that I could comment on other people&apos;s journals without having to do it anonymously.  So don&apos;t feel you have to comment or pay attention to anything I say here, because it may well be unimportant ramblings</description>
  <comments>http://percysowner.livejournal.com/507.html</comments>
  <lj:mood>scared</lj:mood>
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  <lj:reply-count>2</lj:reply-count>
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